Erasing the Boundaries Through Chaos: Introducing the Spider Plug-In

Written and Designed by Charlie Gleason, a.k.a. Nosine

Subscribe to the Zone to download Spider in VST and AU plug-in formats.


Time to inject a little chaos into your music − literally. Spider is a uniquely digital plugin that allows you to explore the realm of chaos theory through sound and real-time visualization. Erase the boundaries between tone and noise as you traverse through bifurcations, oscillations, convergence and divergence, paving the way with fat, glitchy basslines that would make Skrillex break a sweat, percussion Ryoji Ikeda would drool over, textures that would make Iannis Xenakis giggle, and harmonic changes that would give Beethoven an existential crisis. Not to mention − it’s both a synth and an effect. Play it on its own, send a sound through it −  whatever you make of it, expect the unexpected.

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Spider in "Cobwebs" mode

Background

The first version of this plugin was a Max for Live prototype I started several years ago. I had decided I wanted to learn more about chaos, and picked up a copy of Nonlinear Dynamics and Chaos by Steven Strogatz. While I enjoy math, I’ve found I tend to learn (and enjoy) it best when I can apply it to music somehow. I immediately started to implement some of the formulas from the book in the form of gen~ patches in Max For Live.

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Spider in "Lissajous" mode

From there, I got curious about what different functions might sound like when iterated recursively. At some point in following my curiosity, I added another input to the equation just to see what would happen. And what happened was magical - suddenly, a 40 Hz square wave turned into a stuttering sequence of glitched out tone and noise that varied wildly at the slightest change in any parameter. The tamed became untamable.

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Spider in external input FX mode

I’d liken it to an extreme form of FM synthesis − always 100% feedback, with up to another 100% modulation from another oscillator/operator. In my mind, what really makes it stand out is that additional modulation. The oscillator feeds into the feedback loop of the chaos generator. This opens up a range of sound design possibilities far beyond chaos alone, and far beyond a simple oscillator alone.

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Finally, you’re probably wondering where the name came from. It’s based on the cobweb plot that is so prominently featured in the user interface. It makes a web, so it must be a spider.

Spider is available now in VST3 (Mac and Windows) and AU (Mac) formats through The Zone, along with a manual and presets.


Charlie Gleason is a musician, multi-media artist, and technologist who performs under the name Nosine. Check the out around the web:

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